Petra, Jordan: Treasury and Great Temple


Petra, Jordan: Treasury and Great Temple. Nabataean Ptolemaic and Roman. c. 400 B.C.E.–100 C.E. Cut rock.

  • The prominence of the tombs in the landscape led many early explorers and scholars to see Petra as a large necropolis (cemetary); however, archaeology has shown that Petra was a well-developed metropolis with all of the trappings of a Hellenistic city.
  • The tomb facades draw upon a rich array of Hellenistic and Near Eastern architecture and, in this sense, their architecture reflects the diverse and different cultures with which the Nabateans traded, interacted, and even intermarried. 
  • Today scholars believe that the tombs were probably constructed when the Nabateans were wealthiest between the second century B.C.E. and the early  second century C.E. Archaeologists and art historians have identified a number styles for the tomb facades, but they all co-existed and cannot be used date the tombs. The few surviving inscriptions in Nabataean, Greek, and Latin tell us about the people who were buried in the tombs.
  • The Treasury’s façade most clearly embodies the Hellenistic style and reflects the influence of Alexandria, the greatest city in the Eastern Mediterranean at this time.
  • Ornate Corinthian columns are used throughout.
  • The sculptural decoration also underscores a connection to the Hellenistic world. 
  • There are other details from the artistic traditions of the Hellenistic world, including eagles, the symbols of royal Ptolemies, vines, vegetation, kantharoi (vase with large handles), and acroteria (architectural ornaments on a pediment). However, the tomb also features rosettes, a design originally associated with the ancient Near East.
  • There are no inscriptions or ceramic evidence associated with the tomb that allows us to date it. Considering that it was located at the most important entrance to Petra through the Siq, it was probably a tomb for one of the Nabataean Kings. Likely Aretas IV (reigned, 9 B.C.E. – 40 C.E.), most successful ruler, and many buildings were erected in Petra during his reign.
  • The treasury was exceptional for its figurative detail and ornate Hellenistic architectural orders. 
  • Many of the smaller tombs were less complex and also drew far less upon the artistic conventions of the Hellenistic world, suggesting that the Nabataeans combined the artistic traditions of the East and West in many different and unique ways.
  • Much like the Treasury (above), ed-Deir was not a monastery, but rather behind its façade was a monumental cella (the inner chamber of a temple) with a large area for dining with a cultic podium at the back. While no traces of decoration remain today, the room would have been plastered and painted. 
  • The column capitals are typically Nabataean, modeled on the Corinthian order, but abstracted. 
  • Many elements of Classical architecture.