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Showing posts with the label Expressionism

Fauvism, Expressionism, Cubism

Fauvism (1905) Debut in Paris  Inspired by Post-Impressionism  Stressed broad flat areas of violently contrasting color  Died out in 1908  Color harmonies suppressed so expressive effects could be maximized Expressionism (1905-1930) Inspired by Fauvism  Germany, Dresden  Formed by Art Group known as The Bridge (considered themselves a bridge from traditional to modern painting)  Began to forsake representational art; abstraction  Highly intellectual; saw abstraction as a way of conceiving the natural world  Cubism (1911) Created by Pablo Picasso Influenced by simple geometries of African masks  Breaks down human form into angles and shapes Looking at the human figure multiple sides at once  Shaded to simulate depth  Jagged edges, sharp faces to a curvilinear and flowing style 

Memorial Sheet for Karl Liebknecht

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Memorial Sheet for Karl Liebknecht. Käthe Kollwitz. 1919–1920 C.E. Woodcut. In the political turmoil after the First World War, many artists turned to making prints instead of paintings. The ability to produce multiple copies of the same image made printmaking an ideal medium for spreading political statements.  German artist Käthe Kollwitz worked almost exclusively in this medium and became known for her prints that celebrated the plight of the working-class. This work, In Memoriam Karl Liebknecht was created in 1920 in response to the assassination of Communist leader Karl Liebknecht during an uprising of 1919. Germany went through a period of social and political upheaval after WWI. The Socialists and Communists both wanted to eliminate Capitalism and establish communal control over the means of production, but while the Socialists believed that the best way to achieve that goal was to work step by step from within the Capitalist structure, the Communists called for...

Self-Portrait as a Soldier

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Self Portrait as a Soldier . Ernst Ludwig Kirchner. 1915 C.E. Oil on canvas. A masterpiece of psychological drama.  The painting shows Kirchner dressed in a uniform; he is standing in his studio with an amputated, bloody arm and a nude model behind him. It is in this contrast between the artist’s clothing and studio space that we can read a complicated coming of age for an idealistic young artist.  Group of artists from Germany; the Brücke artists set about creating an entirely new way of being artists; created art that looked to the past and the future at once; influence on the Die Brücke artists was so-called “primitive” art (non-western, Asian and African cultures); there was also interest in the “folk art” of Europe.  This art was perceived to be more honest and direct.  It is important to note that Germany remained a major colonial power in Africa through the First World War; The Brücke artists were inspired to adopt the “natural” state that they p...

Improvisation 28 (second version)

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Improvisation 28 (second version) . Vassily Kandinsky. 1912 C.E. Oil on canvas. Name of a musical composition; he is composing in form.  Rooted to stories of the bible/history Associating painting with music; painting was signify something non concrete See music, hear color, synesthesia; crossing of the senses; wanted us to hear something; Influenced by many composers/musicians; atonal; chaotic, cacophony; brilliant color, hazy atmosphere, black diagonal lines that crisscross with each other Resembles war, drawn years before first World War; Russian pieces focus on this; verge of abstraction; artist believed that if things were drawn as they are, it would ruin our interpretation of them Close off our emotional ability to response to the true color/form of a piece; heavenly jerusalem; heavily influenced by religious imagery; resembles pieces related to Christian stories; representation of an apocalypse; great flood Cannons are being fired; atmospheric effect; smoke o...