art history

 Lakshmana Temple. Khajuraho, India. Hindu, Chandella Dynasty. c. 930–950 C.E Sandstone. The Lakshmana temple was the first of several temples built by the Chandella kings in their newly-created capital of Khajuraho. Between the 10th and 13th centuries, the Chandellas patronized artists, poets, and performers, and built irrigation systems, palaces, and numerous temples out of sandstone.  80 temples existed at this site, including several Hindu temples dedicated to the gods Shiva, Vishnu, and Surya. Approximately 30 temples remain at Khajuraho today.  The Lakshmana Temple is an excellent example of Nagara style Hindu temple architecture. the shrine of Nagara temples include a base platform and a large superstructure known as sikhara (meaning mountain peak), which viewers can see from a distance. Devotees approach the Lakshamana temple from the east and walk around its entirety—an activity known as circumambulation. They begin walking along the large plinth of ...

Angkor, the temple of Angkor Wat, and the city of Angkor Thom, Cambodia. Hindu, Angkor Dynasty. c. 800–1400 C.E. Stone masonry, sandstone. Angkor Wat in Siem Reap, Cambodia is the largest religious monument in the world. greatest religious construction project in Southeast Asia. Angkor Wat is dedicated to the Hindu god Vishnu who is one of the three principal gods in the Hindu pantheon Among them he is known as the “Protector.” The major patron of Angkor Wat was King Suryavarman II Many scholars believe that Angkor Wat was not only a temple dedicated to Vishnu but that it was also intended to serve as the king’s mausoleum in death. The construction of Angkor Wat likely began in the year 1116 C.E.—three years after King Suryavarman II came to the throne—with construction ending in 1150, shortly after the king’s death The building of temples by Khmer kings was a means of legitimizing their claim to political office and also to lay claim to the protection and powers of t...

Borobudur Temple. Central Java, Indonesia. Sailendra Dynasty. c. 750–842 C.E. Volcanic-stone masonry. The idea of path is an important concept in Buddhism, and is essential in understanding the meaning and purpose of one of the most remarkable and impressive monuments in the world Located on the island of Java in Indonesia, the rulers of the Śailendra Dynasty built the Temple of Borobudur around 800 C.E. as a monument to the Buddha  Candi Borobudur’s design was conceived of by the poet, thinker, and architect Gunadharma, considered by many today to be a man of great vision and devotion. Its basic structure resembles that of a pyramid, yet it has been also referred to as a caitya (shrine), a stupa (reliquary), and a sacred mountain. Set high upon a hill vertically enhanced by its builders to achieve a greater elevation, Borobudur consists of a series of open-air passageways that radiate around a central axis mundi (cosmic axis).  Devotees circumambulate clockwise ...

Todai-ji. Nara, Japan. Various artists, including sculptors Unkei and Keikei, as well as the Kei School. 743 C.E.; rebuilt c. 1700. Bronze and wood (sculpture); wood with ceramic-tile roo ng (architecture). When completed in the 740s, Todai-ji (or “Great Eastern Temple”) was the largest building project ever on Japanese soil. Its creation reflects the complex intermingling of Buddhism and politics in early Japan The roots of Todai-ji are found in the arrival of Buddhism in Japan in the 6th century. Buddhism made its way from India along the Silk Route through Central Asia, China and Korea. Mahayana Buddhism was officially introduced to the Japanese Imperial court around 552 This connection between sacred and secular power would define Japan’s ruling elite for centuries to come.  Buddhism quickly became associated with the Imperial court whose members became the patrons of early Buddhist art and architecture. These early Buddhist projects also reveal the receptivity o...

Gold and jade crown. Three Kingdoms Period, Silla Kingdom, Korea. Fifth to sixth century C.E. Metalwork. In the fifth and sixth centuries, the Korean peninsula was divided between three rivaling kingdoms. The most powerful of these was the Silla kingdom in the southeast of the peninsula. Chinese emissaries described the kingdom as a country of gold Worn around the forehead, this tree-shaped crown (daegwan) is the headband type found in the south in royal tombs at the Silla capital, Gyeongju.  Between the fifth and sixth centuries, Silla crowns became increasingly lavish with more ornamentation and additional, increasingly elongated branch-like protrusions.  Attached to the branch-like features of the crown are tiny gold discs and jade ornaments called gogok. These jade ornaments symbolize ripe fruits hanging from tree branches, representing fertility and abundance. The Silla crown demonstrates cultural interactions between the Korean peninsula and the Eurasian s...

Funeral banner of Lady Dai (Xin Zhui). Han Dynasty, China. c. 180 B.C.E. Painted silk. The elite men and women of the Han dynasty enjoyed an opulent lifestyle that could stretch into the afterlife. Today, the well-furnished tombs of the elite give us a glimpse of the luxurious goods they treasured and enjoyed. Three elite tombs, discovered in 1972, at Mawangdui, Hunan Province; They are the tombs of a high-ranking Han official civil servant, the Marquis of Dai, Lady Dai (his wife), and their son.  The Marquis’ tomb was not in good condition when it was discovered. However, the objects in the son's and wife's tombs were of extraordinary quality and very well preserved. In Lady Dai's tomb, archaeologists found a painted silk banner over six feet long in excellent condition. Lady Dai’s banner is important for two primary reasons. It is an early example of pictorial (representing naturalistic scenes not just abstract shapes) art in China. Secondly, the banner fe...

Longmen caves. Luoyang, China. Tang Dynasty. 493–1127 C.E. Limestone. the 2300 caves and niches filled with Buddhist art at Longmen in China The steep limestone cliffs extend for almost a mile and contain approximately 110,000 Buddhist stone statues, 60 stupas (hemispherical structures containing Buddhist relics) and 2,800 inscriptions carved on steles (vertical stone markers). Starting as early as the 1st century C.E., Buddhism brought to China new images, texts, ideas about life and death, and new opportunities to assert authority. The Longmen cave-temple complex, located on both sides of the Yi River (south of the ancient capital of Luoyang), is an excellent site for understanding how rulers wielded this foreign religion to affirm assimilation and superiority. Most of the carvings at the Longmen site date between the end of the 5th century and the middle of the 8th century—the periods of the Northern Wei (486­–534 C.E.) through early Tang dynasties (618–907 C.E.)....